The Enlightenment Of Wang Meng's Landscape Painting Method

In the Chinese landscape painting system,from the Five Dynasties to the Song and Yuan Dynasties can be said to be the most comprehensive peak of the development of the Chinese landscape painting system.Dong Qichang of the Ming Dynasty divided Chinese landscape painting into two systems,the Southern Zong and the Northern Zong,in his article "On the Southern and Southern Zongs".Nanzong painters,represented by Dong Yuan,Juran,Zhao Mengfu and Yuan Sijia,mostly depict the scenery in the south of the Yangtze River.In the way of expressing mountains and stones,they express the sense of continuity and elegance of mountains and stones in the south of the Yangtze River with slender and dense lines.Later generations call this kind of grazing method with lines as the main method."Pi Ma Cun".As one of the four schools in Yuan Dynasty,Wang Meng's landscape painting has the most distinctive feature in the way of its stone and hill chains.Wang Meng's stone chains are "Niu Mao Cun" and "Jie Suo Cun" which are changed by studying Dong's and Hu Chang Ma chains method in depth.At the same time,Wang Meng's landscape painting is combined with several other artists such as Ron Yun Cun and Yun Tou Cun of Northern Song Dynasty painters,thus creating Wang Meng Shan.Water painting is a unique artistic style with complex composition and dense scenery.The study of Wang Meng's artistic language has played a great role in my landscape painting creation.This paper focuses on Wang Meng's paintings and the language characteristics of chastity to make an analysis of my landscape painting research and creation.