On The Ideographic Function Of The Spatial Form In Xu Yigua's Novels

In this paper,we select the novel works that need to be studied as the object of study.Taking space theory as the main method,we use the methods of social history research and text reading to comprehensively analyze the themes of crime and punishment expressed in the works of Xu Yigua.And trace the spiritual world revealed in the text.This thesis is mainly divided into three parts: introduction,text and conclusion.The introduction first summarizes and analyzes the existing papers on the need for a narrative perspective and summarizes the views.We find out the specific meaning of the term "space" in the text of a melon,and point out the purpose and meaning of writing.Finally,the space narrative theory involved in the thesis is briefly described.The first chapter starts from the text space of the novel,and describes its human geographical space,social space and meaning space,as well as the historical and cultural roots of each space.The thesis first analyzes the transformation of the main life scenes of her characters-people from the countryside and living in the city,facing the bright metropolis,their physical and mental experience of their own pain and social indifference.In the end,they had to go to the road of crime and punishment.Second,analyze the life story of her text derived from the migrant Society of migrant workers.The paper examines the small working space,the embarrassed living space and the mental state caused by it from the specific microscopic internal perspective.Finally,the thesis begins with the ending of the text story to interpret the open ending of the work and the image of the characters,especially the meaning of the female image.The second chapter analyzes the psychological space of text characters from the psychological point of view.In this paper,the author sets up an opposing relationship between group and individual in the text.When he criticizes and criticizes individuals through the "good people" group,he explores the root of national evil in the group.It also describes the individual emotional paradox of the two opposites of good and evil in the significance matrix of her text,and how to deduce the most true desire and goodness of human nature in the mind of the offender.At the same time,the text space and its constructed psychological space are interpreted from the perspective of internal and external focus,so as to promote the development of the storyline.The third chapter begins with the stylistic space form of the works to interpret the text.She is a reporter of the legal line.In combination with her identity,her text story covers many topical issues and criminal cases,so she has the characteristics of news reports.Such stylistic features make the text more relevant and authentic.At the same time,the writer compresses the time when the story takes place,places the text story in the space of individual physics,and connects the clues of time through the transformation of space to form a complete storyline and forms a time-spatial allegory style.There are many images,such as daffodils,in the text of a melon.Although they are physical things,they hold a kind of spiritual power.Whether it is physical or spiritual,the image here finally concerns the poetic meaning space,and it is also the final theme space of the text.Writers use these metaphorical poetic spaces to express their feelings.In turn,it causes readers to pay attention to the ethical sadness in the judicial space.The conclusion summarizes the characteristics of the works,places the writer in the context of history,expounds the significance and practical significance of his literary history,and traces back its roots.