Research On The Phenomenon Of The Popular Drama Of Qing Palace In The New Period

Among the creations of film and television literature,Qing dynasty palace drama has already become an important type.“Nurhachi”,which was filmed in 1986.After that,Qing dynasty palace drama based on the history of Qing dynasty,has broadcasted for 30 years.Contrary to the phenomenon of hot broadcast,the cultural phenomenon of this kind of hot broadcast has not attracted enough attention in the academic field,and has not formed a complete and systematic research system.On the research of the Qing dynasty palace drama,people just stop the theme,characters and social value.It is rare for people to make a system research with facing to this hot broadcast phenomenon of Qing dynasty palace drama in the new period and especially the problems existing in the Qing dynasty palace drama at present as well as the cultural factors contained in it.In the future development strategies,It is even a blank for people to how to pass the Manchu excellent culture and especially to mine the Manchu culture essence.Through the study of the Qing dynasty palace drama and a comprehensive analysis of literature collection,combined with the content and type of Qing dynasty palace drama for 30 years,this paper will do a whole research to this kind of cultural phenomenon of Qing dynasty palace drama,such as the Qing dynasty palace drama in Manchu historical and cultural heritage and so on.This paper is divided into four parts.The first part: It explains the current situation of the Qing palace drama from constantly enriched theme and characters in the past 30 years and domestic and international high ratings.The second part: This paper will focus on hot broadcast factors of Qing dynasty palace drama besides a fascinating story,a variety of historical figures,Gorgeous prop set and senior stars and the success of the new media operations,more importantly,because of the profound abundant cultural factors in Qing dynasty palace drama.The third part: This paper analyzes the Qing dynasty palace drama of more and more patterned,stereotyped and extraordinary plot and background,which makes mass produce more severe fatigue.Qing dynasty palace drama of excessive pursuit of entertainment and commercial income brings bad influence to the society.It produces some misleading to the audience who desire to understand the history.The fourth part: On the basis of comprehensive analysis to the Qing dynasty palace play,from the perspective of reality,this paper will aim at the problems existing in the Qing dynasty palace play and then arrive at a feasible development strategy.That is if Qing dynasty palace play wants to continue to broadcast,it should comply with the larger context of the aesthetic needs of “content”.It should constantly improve the rich connotation of the Manchu culture essence.All creative skills and methods must serve the “content”in order to make the theme of “content” brighter,more unique,more with the Chinese national spirit,more thoroughly reveal the essence of life and clearly show the fusion trajectory between the Manchu culture and central plains culture.It presents the strong cohesive force of Chinese nation,and becomes an inseparable part of treasure House of Chinese Culture.Under the pretense of advocating main theme and carrying forward the socialist values,we should abandon the vulgar and fawning pure entertainments.We also should abandon the aestheticism form of pure pursuit of beauty and lack of spiritual depth.We hope the creators of the Qing palace opera to choose to have some typical meaning stories,to describe the Manchu people create a epic magnificent scroll of history,and to reflect the confidence,tolerance,good learning,Confucius,explore and brave,and advocates the spirit of the model of national hero in Manchu culture.We should keep in mind that “there is no way to write,and if the tao is not strong”.We should strive to create a profound,artistic and well-made literary and artistic works of Qing palace drama.