Xinjiang Ethnic Minority Music Style Accordion Piece Analysis And Research

As one of China's many “imported instruments”,the accordion was introduced in the 1940 s and 50 s.Due to its many advantages,such as convenient carrying,changing timbre,and strong harmonic function,the accordion began to grow and develop.The development not only promoted the gradual shift from vocal music to instrumental music in our country's national music,but also changed from singleness to pluralism.At the same time,it also made the accordion in China a unique musical culture.The accordion music work in Xinjiang is the main component of the vocalization of China's national music.The development of the accordion in the Xinjiang region not only gives an alternative interpretation of the local national music culture,but also creates conditions for the diversified development of the accordion in China.This article takes the Xinjiang accordion music works as research subjects and research objects.From the aspects of their creative backgrounds,creative techniques,and national music characteristics,the Xinjiang accordion music works are combed and studied,and Xinjiang ethnic minority folk music elements are analyzed in accordion music in Xinjiang.The specific application of the works is to sum up the application of Xinjiang ethnic folk music elements in Xinjiang accordion music works.At the same time,taking the application of Xinjiang ethnic minority folk music elements in Xinjiang accordion music works as an example,the main directions and development suggestions for the development of Xinjiang accordion career will be proposed.In addition to the introduction and conclusion,the full text is divided into four parts.The first part gives a general overview of the rich and colorful ethnic music culture in Xinjiang,including an overview of the music forms and genres of ethnic minorities in Xinjiang and the musical styles of ethnic minorities in Xinjiang.The second part first discusses the introduction and development of the accordion in the Xinjiang region,and then classifies the Xinjiang accordion music works according to the characteristics of different ethnic music styles and accords them to Uyghur music style,Kazakh music style,and Tajik music style.Specific analysis of the work;the third part of the article discusses the characteristics of Xinjiang accordion music works,including the literary characteristics of the title,the mixed characteristics of the modulation,the variability of the melody,the variability of the rhythm,and the performance of the Xinjiang minority The simulation of musical instruments.The fourth part first discusses the limitation of the creation of accordion music works in Xinjiang,which is mainly reflected in the limitations of the themes of the works and the limitations of the creators;secondly,two cases of boldly trying to create Xinjiang accordion music works in the new period are mentioned.The inspiration for the accordion development in Xinjiang from the creation of accordion music works in Xinjiang and the inspiration for Xinjiang accordion professional education.