A Study Of Heterogeneous Love And Marriage Story In The Script Novels Of The Ming Dynasty

As early as the pre-Qin mythology,the heterogeneous image appeared,and the heterogeneous marriage and love story also came into being.In the novels before Ming Dynasty,the plot of the heterogeneous marriage and love story was relatively rough,the image of characters was relatively flat,and the level of art was on the low side.With the development of politics,economy,culture and other aspects,and the foundation of the art laid down by the previous generations of novels,the novel creation of Ming Dynasty was more mature,and the heterogeneous marriage and love story also obtained a better growing environment.Under the background of the evolution of literary atmosphere and the downward movement of writers,the script novel in the Ming Dynasty has become increasingly connected with people's lives,and its content has infiltrated into the daily life of a large number of people.Under the influence of San Yan and Er Pai,the creation of the script novel in the Ming Dynasty became more and more prosperous,such as Xing Shi Yan,Shi Dian Tou,Xi Hu Er Ji and so on were also appeared.The story of marriage and love has become an important theme of the script novel because it involves many aspects such as individual,family,society and so on.Among them,heterogeneous marriage and love story stands out from many marriage and love stories with their unique description objects and artistic values.According to the different types of the heterogeneous image,the heterogeneous marriage and love story in the Script novels of Ming Dynasty can be divided into three types of marriage and love: human god,human ghost and shemale.As a non-human being,the heterogeneous image in the script novel of the Ming Dynasty through its living environment,appearance and clothing,strange magic and other external factors to show it is different from the human side.But when the heterogeneous image disguises as human being and has the social relations with the human being,it is inevitable to be tainted with the rich worldly atmosphere of the human world,and the essential features of its "divine" is weakened as a result.Because of the particularity of the heterogeneous image,the plot they set of the heterogeneous marriage and love story is more twisted and bizarre than the ordinary human marriage and love stories,the environment they make is more colorful and diverse,and the cultural connotation they have is richer and more diverse.The heterogeneous marriage and love story in the script novel of the Ming Dynasty provides rich materials for the creation of future generations and sets an example for the narrative of marriage and love stories.Through the author's careful arrangement of coincidence,flexible setting of suspense,cleverly causing conflicts and other artistic techniques,the occurrence of the heterogeneous marriage and love story in the script novel of the Ming Dynasty became reasonable and far-reaching.The authors of the script novel,with their profound artistic self-cultivation,incorporate the daily life of Ming Dynasty and the values of Ming people into the creation of the novel,and show a lot of content about the Ming Dynasty society in the writing of the heterogeneous marriage and love story,like the prosperity of the commercial activities,the social phenomenon of the large number of chastity martyrs,the cultural concept of the pursuit of freedom marriage and love.However,these authors are all traditional literati who received Confucian orthodoxy education.Under the influence of liberation trend of thought in Ming Dynasty,they want to liberate nature and publicize their desires for humanity,but they cannot escape the shackles of Confucian traditional morality.It shows the complex social psychology of the scholars in the Ming Dynasty.