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Viewing Logical Problems From The Relationship Between Reality And Imagination

Posted on:2021-03-31Degree:MasterType:Thesis
Country:ChinaCandidate:K PiFull Text:PDF
GTID:2415330611970580Subject:Art
Abstract/Summary:PDF Full Text Request
The author's purpose is to sort out and explain the aspects of sensation,logic,form,sensation logic and logical feeling,to point out some difficulties encountered in painting creation,and try to combine Deleuze's "Francis Bacon" : The Logic of Feeling and Fry's The Development of Cezanne and His Style,as well as other theories in art philosophy,logic,and behavioral psychology to analyze the practical difficulties in creation.This issue is resolved.I mainly use text analysis to try to find the relationship between sense and logic that is independent and interconnected.I combine interpretation of related works of art,thinking in the process of my own creation,and problems and difficulties in forming my own works.Comparative research shows that in the combination of the extraction of realistic material and the imagination in painting,the essence lies in the relationship between the brain's rationality and sensibility,and the inherent logic lies in the creation of new logic based on reality to form creativity.The thesis mainly includes the following parts:First,explain some basic problems of thinking logic,and explain the differences between eastern and western logics.This will first introduce the differences and commonalities between logic and logic,and the logic in our lives.And the importance in society;then we begin to analyze what sensation or intuition is for us,and from the perspective of behavioral psychology,we analyze the starting point of our work,the reason for our work,our desire,our perception,and so on.Analysis of our intuition can lead to the reason why we paint in painting,the reason we will be moved;and then through text analysis of Fry and Deleuze to prove the knowledge,feeling,strength,etc.in painting The importance of bacon and how Cézanne draws invisible power,that is,the aesthetics of sensation constituted by the interpretation of body-sensory-power,and how to get rid of the shackles of traditional narrative painting;finally,analyze it in combination with its own painting What procedures are feeling and logic responsible for in painting practice,and how can we create newlogic based on the existing image and then create creativity.The innovation of this article lies in the profound analysis of the relationship between sensation and logic,using text analysis and combining own creation to point out problems in painting creation,let us understand the basic problem of painting,namely painting The question of what and how to draw.
Keywords/Search Tags:Feeling, Logic, Objective reality, Imagination
PDF Full Text Request
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