Analysis Of Henan Opera Duet "Three Guns Outside The Driving Gate Are Like Thunder"

YuanMen outside three gun as lei Chen is henan henan opera has been innovating the spearhead of the lady takes command(formerly known as "east of the old sign or wen-goang Yang duo seal,by song ci in 1954 was based on the famous,the henan luoyang YuJuTuan jin-feng ma teacher premiere,the aria begin with eastern time and slow,and then go faster,finally ends in tight 28.Henan province is located in the central plains of China.It has been a necessary place for transportation in all directions since ancient times.It is known as the "hinterland of kyushu".King ping of zhou even moved the capital to luoyang.There are numerous connections between henan opera and the culture of the central plains.Therefore,this paper mainly studies the classical verse of henan opera "three cannons outside the driving gate are like thunder",thus contributing to the inheritance of traditional Chinese culture.The article is divided into four chapters: the first chapter,on the one hand,introduces the songwriters and the creation background of this play,on the other hand,introduces in detail the life,character and image of mu guiying,the protagonist of the henan opera duet "three guns outside the driving gate are like thunder",which is conducive to readers' understanding and recognition of this duet.The second chapter mainly describes the stage image and singing skills of singing.The stage image is mainly reflected in the dressing and makeup of mu guiying in henan opera,as well as the performance and positioning of stage movements when performing this role,as well as the interpretation of the stage image.Mu guiying of this drama is a "shuaidan" created by ma jinfeng who integrates the performance characteristics of qingyi,wudan,daomandan and so on,which is suitable for the plot of this henan opera.Singing skills are described in this section of the articulation,timbre,breath control.In the third chapter,mu guiying takes the lead,which was first sung by ma jin-feng.But later,mei lanfang thought the play was very good,so he adapted it into a National Day tribute in 1959.One is the version of henan opera,and the other is the version of Beijing Opera.The fourth chapter,from the perspective of future generations,summarizes the history,spreads the Chinese culture,summarizes the classics,and makes its own efforts for music culture based on itself and the needs of The Times.