Research On Zhu Liangzhi's Aesthetic Thoughts

Mr.Zhu Liangzhi has made great achievements in the field of Chinese aesthetics.Based on Chinese philosophy,he has deepened into Chinese art theory,including painting theory,handwriting theory,literary theory,and even garden and opera theory,forming a relatively complete ideological system of Chinese aesthetics.At the same time,in the practice of art criticism,he deeply cultivated in the field of Chinese literati painting,and deeply studied the masters of literati paintings such as Shi Tao and Bada Shanren.He has a deep understanding of the spiritual and intrinsic value of Chinese literati paintings,and has many written works.This thesis takes Zhu Liangzhi's aesthetic thought as the research object,tries to extract the philosophical foundation and core idea of ? ? his aesthetic thought,and at the same time confirms the general style of Zhu Liangzhi's aesthetic research with his literati painting research.The first chapter of the thesis discusses the philosophical basis of Zhu Liangzhi's aesthetic thought.Zhu Liangzhi has profound insights into Chinese philosophy.He said that Chinese philosophy is a philosophy of life,with a special emphasis on transcending spiritual and life consciousness.In this concept,the Confucian Taoist philosophy is discussed in depth.Confucian understanding of the new changes in the world,praise for the originality of heaven,and understanding of the concept of time and flow are its core;Taoism transcends the knowledge construction of Confucian anthropocentrism,and pursues a completely different physical realm.The reversal of knowledge obscuration reveals the purpose of the world's true face.It longs to return to the real world and achieve the fundamental liberation of human nature.On the other hand,the emphasis is on the Zen ideology of Chinese Buddhism,and the "two ways" as the fundamental cognitive mode.Beyond seeing separately,rationally splitting,and regular emotion dilemma,reaching the highest Zen wisdom.In this realm,people truly realize a state of freedom without pressure and without bondage,truly living in the present and returning meaning to the world.One thought has a great influence on Chinese art,and it has formed a different aesthetic pursuit in the construction of painting and poetry.The second chapter attempts to extract the core ideas of Zhu Liangzhi's aesthetic thought.The first part: life spirit and transcendence consciousness,this is the core of Zhu Liangzhi's aesthetic thought.In his view,Chinese philosophy regards the whole universe as a big life,even if it is an unconscious thing,it has a luster of life.It directly affects the form of Chinese art;at the same time,the spirit of life requires transcendence.The performance of transcendence is the promotion of the realm of life,and the play of the outside is the aesthetic realm of Chinese art.This idea runs through Chinese art creation,including literature,literatipainting and many other art forms.In the second part: the aesthetic understanding is the epistemology of Zhu Liangzhi's aesthetic thought,and it is also an important aesthetic thinking concept.The word "Miao Wu" comes from Buddhism,but Confucian Taoism also has a clear discussion of understanding.This cognitive style also has a very distinctive oriental thinking.The third part discusses the unique aesthetic style of Chinese aesthetics.The aesthetic style is the implementation of aesthetic pursuit,which embodies the realization of Chinese philosophy on the shaping of human spiritual weather in art.It is summarized into three kinds of aesthetic styles.One is the aesthetic orientation of ugly beauty that transcends the secular aesthetics influenced by Taoist thoughts.The other is that the Zen sects the wisdom and wisdom of the wisdom and the coldness of the side,so the name is “The hollow light of Snow Night ”.The third realm is the pursuit of the "harmony" realm with Confucianism.Zhu Liangzhi finds their common pursuit of harmonious realm from Taoism and Zen Buddhism.The third chapter discusses the study of Mr.Zhu Liangzhi's literati painting.It is the practice and application of Zhu Liangzhi's aesthetic thought and highlights Zhu Liangzhi's "the truth of life".The true nature of life is the true thinking of life and the poetry of the state of life.Literati painting is a non-visual visual art with a very strong spiritual connotation.The view has a strong ideological and intellectual impact.The article first discusses the way in which literati painting realizes this spiritual connotation.The following is an example of Zhu Liangzhi's revealing of the ideology of literati painting.The conclusion part is the thinking of Zhu Liangzhi's aesthetic research paradigm and meaning,and the problems that traditional culture has to replenish and accept in today's society.The author thinks that Mr.Zhu Liangzhi's Chinese aesthetics research is underestimated.His development and interpretation of Chinese aesthetic theory is more thorough and more confident than Mr.Zong Baihua.What is even more rare is that his aesthetic thought has a rather rigorous core,the solid philosophical core captures the soul of Chinese aesthetics.At the same time,he entered the field of literati painting with no actual painting skills,and grasped the core of the elegant and profound art of Chinese literati painting from the perspective of thought and literature,and carried out a lot of literary and academic discussions.His work is very admirable.