The Study On Consciousness Of Calligraphy In Wei-Jin And Southern And Northern Dynasties

At the appearance of Chinese characters, calligraphy art was constructed in the process of writing with time going on. The oracle and Inscriptions on ancient bronze objects in the Shang dynasty and the Zhou dynasty is early plain and calligraphy art form, based on practical ideas. When the state of Qin swipe out the other six states and unified the whole country, Qin shi huang book a sample of the seal script. In the Han dynasty, the author writes on the bamboo and wood with the Han dynasty folk unofficial script which represents the common style of calligraphy. The government set up the style of Han stone shows the official neat and majesty. This period grass line is pregnant, but due to the bondage of Confucianism, the art of calligraphy did not consciously contribute.Prophetic-mixed classics declines in the Wei-Jin and southern and northern dynasties. Long-term social unrest looses the culture of the stuffy. The Confucianism’s literary ideas alsois reversed. When the trend of Jin metaphysics ideological is popular, group consciousness weakens and individual consciousness enhance. The awakening of authors’ self-consciousness also catalysis the consciousness of calligraphy.Coincided with the papermaking matures, the Wei-Jin style which reflects thought and temperament of the philistines is set up. The calligrapher who is the noble cremation makes the specification of neat regular script and cursive script and running script. At the same time they finish the establishment of a typical calligraphy. The Strong political influence and cultural influence promote a comprehensive consciousness of calligraphy.The study of consciously Calligraphy makes the development of the cremation as the main line. The hierarchical Chinese government and the blood and geopolitical political group and the imperial examination system of election officials after the Sui dynasties Make the cremation has become a social structure in carrying the body of the cultural and artistic life. By analyzing the ideology, character, knowledge, social status of the cremation, it is comprehensive understanding of aesthetic subject in the process of aesthetic which is the basis of consciously calligraphy.In this paper, In the process of the textual research of the Chinese calligraphy, we Set up a point of view that the calligraphy come from Chinese culture. Longitudinal historical comparison method is used to research the conscious factors and the historical inevitability about the font-evolution in the Wei-Jin and southern and northern dynasties. maturity.Transverse comparison method is used to research the background on the politics, economy, culture, education and the system of choosing officers in Wei-Jin and southern and northern dynasties,which is due to figure out the real calligraphy environment.