LiuZhenYun Novels Of The Film And Television Studies

Since the1990s, along with the advancement of China towards a marketeconomy and globalization, mass culture industry began to rise, and gradually intoderivatives by the film and television, new media as the leading factor of visual culturefeast. Film and television as one of the most convenient, the most simple sense, candirectly impact people sense of aesthetic medium, it can obviously morethree-dimensional, multi-angle, all-round to reproduce life, characters and stories. Dueto the film and television are the bizarre, colorful, natural explanation of stirring up thenarrative forms and aesthetic characteristics, has the irresistible allure and influence onpeople, make it step by step in your free time to focus on reading of the novelmorphing into the loyal audience in the theater. Film and TV culture industry’s rapidexpansion and sustainable prosperity at the same time, also accompanied by traditionalliterature inherent territory of contraction. If, from the film and television literaturesince the film is adapted from literary works, so that by the mid-ninety-s, theindustrialization of film and TV are making film script move from dependence oncontemporary novels, begin to have their own independent production methods andliterature. In this situation, novel apparently faces a crisis of survival. In the end of thecentury "literature of the end of the" age of anxiety, seek to break from the film andtelevision surrounded by dense direction become almost every novelist is a consciouschoice. They should have to do is not only rejects the film and television "hits", butwith the film and television for the audience, and brave to face video challenge, willingto accept and meet the film and television to embrace the film and television, even forhug, film and television is summoned to the future, no one can rival the trend of TheTimes., to say the novel creation by the film and television culture shock, the writernot to advance is to go back, have no choice but to absorb the film and televisionelements into the novel, is a Chinese writer since the1990s to the most incrediblething.Writers who have invested in the film and television literary production to adaptto the impact of the external environment, this wave of trying to "standards" Televisionand Liu Zhen earlier an "electric shock" Several of his works onto the big screen andhas attracted enthusiastic responses. This thesis is the study of his novels, to analyze a strong impact on the face of the film and television industry and its derivative culture,the face of contemporary society, people viewing quietly changed by reading the text,Liu Zhen how to a Zoran attitude stands in such the external environment is how toadjust their gait own novel creation of the road. What narrative strategies to write hisunderstanding and awareness of China’s modern history and contemporary society, theability to follow its usual New Realism creative method; how to draw nutrients fromthe movie and enrichment to its concrete application of novel in;, in his fiction film"meaning and value so try exactly what the novel was adapted into a film andtelevision works and what unique social effect-that is, this paper is to study andanswer the question, learn rational interpretation and judgment of a reasonable answerto these questions is the ultimate purpose of this argument. Liu Zhenyun typical case,we should be a clearer understanding of contemporary literature faced an embarrassingsituation, a clearer understanding of the writer in the moment consciously orunconsciously choose a better understanding of the direction of contemporary literatureto break through in the future.Undoubtedly, LIU Zhen-yun, the writer, his growth trajectory and television havethe full value of the case studies. Examine the the Liu Zhenyun fiction creation we cansee that the creation of his novel draws on a variety of film elements and film narrativetechniques, and on the choice of subject matter and Liu Zhen full performance of awriter the chase to grasp the pulse of the times, hot issues, this reverse adapted into afilm and television for his work provides a potential space possible. This thesis is basedon the literary body of Liu Zhenyun novel writing, LIU Zhen-yun fiction and filmfocused on analyzing the interaction effect process, the background to the developmentof film culture since the1990s, efforts to examine the mystery of the "success" of theLIU Zhen-yun Novels, and efforts to reveal the fiction film and television of "thepursuit of meaning in Chinese literature lie. Thesis is divided into three parts, the firstpart of the analysis of film culture background, the collective group of writers, leadsLIU Zhen-yun is how to choose; second part of the basic LIU Zhen-yun work underthe macro-under the research vision, specifically addressed LIU Zhen-yun fiction withwhat qualities, why his novels are frequently adapted into a film and television work,and to be successful; the third part through the whole article LIU Zhen-yun fiction filmanalysis to contemporary literature the meaning and describes his revelation.