The Duality Of Rural Complex And National Awareness

The literature of Northeast occupied areas that began in the September18th Incident in1931in Northeast fall, ending in August1945, Japan announced its unconditional surrender tothe northeast retrocession, across modern Chinese literature in the second decade and the thirddecade. Its successor, the May Fourth literary science and rationality, obsession, and forgeahead in the tradition of relying on local, followed by the era from Corporate Headquarters.Formed their own distinct personality character.Northeast occupied areas of literature, the Liang Shanding is a typical sense of the writer,on behalf of Northeast occupied areas of literature, creative performance. This paper is toLiangshan small as the object of study, from two points of view "Local Complex" and"national consciousness" literary creation of an overall reflection and panoramic views ofcognition and inspected the Liangshan small works "Local Complex" and "nationalconsciousness" interactive relationship to explore the complexity of writers hovering inbetween the "native" and "nation" mentality.The paper is divided into three chapters, can also be seen as two parts. The first twochapters introduced the the Liang Shanding "Local Complex" and "national consciousness".The Liang Shanding is a representative figure of the Northeast."Literary Views of theLiterature" has deep local complex, the works reveal a strong local flavor. In the Liangshansmall works, this native complex showing the diverse and complex nature of both anexpression of the infinite love of the earth right outside the customs customs and also theNortheast closed tears of run-down of customs and culture criticism. The Liang Shanding or apatriotic and progressive writers, thus writers used the technique of expression of symbol,metaphor, irony, symbolism in his works express a deep national consciousness. This nationalconsciousness in Liang Shanding works with the embodiment of the multi-angle multi-faceted,including both complaints on the dark rule of the Japanese puppet authorities, but also acelebration of resistance forces undercurrent, there are "national beacon of hope for the praise.The third chapter efforts to investigate the interaction between Liang Shanding "LocalComplex" and "national consciousness". The "local" and "nation" is a the Liangshan smallliterary creation motif. Faced with the harsh Northeast occupied areas of the authoringenvironment, the writer of Northeast occupied areas appear a different choice, the LiangShanding, led by the "adherents," the writer is forced to be hovering between "local" and"nation", relying on local performance of the national, careful to strike a balance between thetwo. Should be pointed out is the Liang Shanding "Local Complex" and the "national consciousness" is not mutually separated but inseparable intertwined, showing thecharacteristics of a double variation. The one hand, the conscience of the writer’s writer to bein the works revealing the national consciousness, but the reality of cramped and does notallow writers to do so, because these writers had to return to their homeland, native as acarrier, ignited a national consciousness. On the other hand the connotation of "the nation"miscellaneous into rich native literature ", making the native literature of Northeast occupiedareas showing a more open characteristics.