The Research On Realistic Literary Criticism In Xinjiang Since The Reform And Opening Up

Since the May Fourth Movement onwards of China, the identity of theliterary criticism has been embarrassing, which kind of awkward mainly displayed inblindly using western literary theories or using the Soviet Union for Chinese culturalcontext of the development of literature, which was a kind of XiaoZuShiLv negativeway. Taine’s"Philosophy of Art" tells us that any one form of literary criticism in theprocess of development will be constrained and influenced by race, age, environments,which were restricted and influenced. Ignoring these factors in making criticismwould go wrong. As China’s traditional critical form of realistic literary criticism is along history, in QianQin period there has been the utility of literature "express willsay","sting","blame" said, and so on. The reality of modern China in the socialistliterary criticism has provided the basis of history and culture.Meanwhile, in the different historical period the emphasis on the literarycriticism will produce offset, and thus the critical methods should not be single butmultiple. Reality of socialist literature criticism should not again adhere to elite sense,but perspective to popular and turn to the media culture or using cultural criticismachieves the purpose of the method, which is only a tentative Suggestion. To sum itall up, literary criticism needs to keep pace with The Times, the innovation.From the literature of the practice in Xinjiang, the realistic literary criticism isapplicable and also has great development of advantage, but realistic literary criticismin Xinjiang that wants to has great progress must be deeply rooted in life andnationality, which is congenital superiority given by many national culture and alsoconforms to the demands of the development of times and constantly improves andenrich the fundamental way of criticism methods.