Study On Decorative Atristic Language Of Qing Dynasty Interior Wall Vase

As the constantly development and the perfection of Chinese porcelain technology,inthe Ming dynasty,people created a porcelain pattern from furnishing interior to wallhanging, namely,wall vase.It gradually became an exquisite art that is touted by refinedscholars and emperors and nobles.Especially in the mid-Qing dynasty,it was particularlyloved by Qianlong Emperor,and people preserved an abundance of poetic prose andmaterials.In the course of its development,the production methods and crafts wasincreasingly completed,even it drew lessons from and absorb with other artistic classes.Sofinally it contains diverse Chinese culture and become the representative of art andaesthetic tendency in the specific time.The development of wall vase fully embodied the decoration of traditional art andcrafts in the residential space.The point of studying the Qing dynasty interior wall vaselies in analyzing the characters of artistic language of wall vase and exploring its artisticvalue.In order to further people’s understanding of wall vase, and also deepen people’s artstudy of it,this paper traces the reasons of wall vase’s development and prosperity in thisparticular time—Qing dynasty,emphatically from historical and cultural perspective.Wallvase shaped its characteristics of unique artistic language and cultural connotations underthe following conditions: with the social background of Qing dynasty,the porcelaintechnology as the basis of a wide variety of wall vases,the pursuit of emperors and noblesand refined scholars’ enrichment of the cultural connotations of the art of wall vase.Thispaper makes its further study,analysis and summary of artistic language of the art of wallvase and probes into the value of its artistic language in decoration.It sequentially extractsthe “the law of decorative beauty” from the art of wall vase in Qing dynasty and exploresthe artistic value of the art of wall vase in modern language contexts and ways to developand use,so that we can achieve the purpose of “making the past serve the present”.