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On The Spring Festival Deconstruction And Reconstruction, The Traditional Culture

Posted on:2011-12-24Degree:MasterType:Thesis
Country:ChinaCandidate:Z M NiuFull Text:PDF
GTID:2208360305980058Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Spring Festival, as derived from the modern media technology to bring the state ideology of cultural phenomena, as when the Chinese Spring Festival in the new folk. Spring Festival, a traditional agricultural society to give the cultural effect of industrial and information society now lost the role of the main body of the Spring Festival culture outside of the modern cultural system floating debris. Chinese New Year cultural significance of traditional farming is dissolved. Spring Festival Chinese New Year in the traditional sense of the process of rewriting, both digestion and traditional culture, but also reconstruction of the traditional culture. National ideology through the Chinese New Year Spring Festival to give a new sense of the times, the Spring Festival as cultural identity of the mark. Spring Festival, under the state ideology of infiltration to the Spring Festival this cultural meeting point for the flag, and strengthen the national consciousness, national pride.This paper introduces the New Year in the traditional culture of meaning and cultural connotations, and then analyzed for example by digestion of the traditional culture. In the traditional culture is the premise of digestion, the author discusses the Spring Festival with folk features and folk heritage. Finally, the author analyzed the infiltration of the state ideology of Spring Festival of Traditional Culture of Reconstruction.The author believes that the new state ideology of social intervention made during the Spring Festival, as well as many other forms of traditional culture in the modern information society embarrassment to some extent been changed. Human culture is a dynamic process, with the constant changes in the development of society, but also affect social development. The involvement of state ideology makes the Chinese New Year Spring Festival to re-enter the modern cultural system, which for some other similar traditional culture and heritage all have reference significance. Such as the Tomb Sweeping Festival, Mid-Autumn Festival, Double Ninth, Dragon Boat Festival and so also from this point of re-entry into the modern cultural system, that is, the identity of a national identity.
Keywords/Search Tags:Spring, traditional culture, Deconstruction and Reconstruction, Spring Festival, state ideology
PDF Full Text Request
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