Comprehensive Modeling Of The Folk Art Form Of Research

Starting at comprehensive design of Chinese folk arts, this thesis investigated design patterns from folk culture, comprehensive design and its regional differences. The beauty of the static design is discussed through two-dimensional and three-dimensional structure, finding the beauty of the static design through movement in performances, activities and entertainments. The static and motional designs are connected by human performance. With the creation and performance of the folk artists, the static art design becomes a comprehensive design of performance, enjoying, making and manipulation. The comprehensive design of folk arts is strongly confined by tradition, religion and folk culture. The development of the designs in different regions has commonness as well as their own features. In point of comprehensive design of the folk arts, two-dimensional and three-dimensional structure is its static token, only in motional performance the comprehensive design may be completed. Motional design conveys aesthetic feelings through motional performances such as singing, entertainments etc. They represent human spirit experiences; they are the extension of instantaneous human body design arts. They express feeling and mind of human being through body design and consistent motions, which shows the life style of their own nationality. Investigating the feature of folk arts comprehensive design, finding the connotation of its aesthetic feeling, we may understand the soul of folk culture from its aesthetic elements such as design language and presentation style. This is the fascination of folk art.