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Integration And Beyond

Posted on:2012-11-24Degree:MasterType:Thesis
Country:ChinaCandidate:S WangFull Text:PDF
GTID:2205330335958580Subject:Art
Abstract/Summary:PDF Full Text Request
Innovative research of Chinese figure painting, Chinese painting has been developed to face a major problem.The innovation of contemporary figure painting in China more and more attention.The laws of development of the arts innovation, artistic innovation of the law is developed with the development of the times.Chinese figure painting is the earliest form of Chinese painting,has always been closely linked with the development of the times. With the era of change and development,innovation of Chinese Figure Painting is more rich and colorful. We know,after the liberation of the Chinese figure painting has been going on since the reform and change, thinking and discussion.And this discussion around the ink strokes,do not include the discussion of Chinese painting color.Is actually a discussion of the evolution of Chinese ink painting style,does not change from the real situation of Chinese Figure Painting.In today's perspective,innovation of Chinese figure painting is not just changes in style and technique,it has risen to the soul of the nation, national Connotation, also Chinese figure painting with the times, and the confluence of trends, beyond the self, based on the world's strategic issues.The emergence of the modern figure painting,it is a new color for the media and the creative ideas were added, led the creative means of change.It is not just style changes, but the Chinese figure painting is the concept of language change,it means more dollars toward the Chinese figure painting, more space development, but also will give China's artists and a new display platform.It started the modern transformation of Chinese Figure Painting China and the development of a variety of styles.China has a great historical tradition of figure painting, but also directly feeling the pulse of the real world and shoulder the mission of the times.Therefore, the development of Chinese cultural elements and the art of oriental charm of Chinese figure painting is to think about each of the artists.Through changing forms of Chinese figure painting overview,to the export status of the modern re-color portraits,and color portraits of modern re-analysis of the characters works as a starting point,find out re-color portraits of modern trends and the role and significance of innovation,further means to master modern Chinese painting and language, feeling re-color portraits of modern characteristics and Characteristics of the times.This text is divided into four parts:the first part of the "manifestation of the evolution of Chinese Figure Painting",from the embryonic period of development, maturity period, the decline during the development process of the Renaissance,analysis of the ancient form of expression and the figure reflects the characteristics of the times,and then extended to re-color portraits of modern forms of language and embodied in the characteristics of the times.The second part of the "rise of the modern re-color portraits, "Analysis of its causes and the development of modern heavy color portraits of the status.The third part of the "modern re-color portraits of the language and characteristics of the times, "through the work of seeking the trend figure.The fourth part of the "re-color portraits of modern practical significance," Color portraits of modern re-affirming the integration and return to the same time, re-examine the trends of Chinese Figure innovation process in the Western integration problems.
Keywords/Search Tags:Modern Heavy Color Painting, Inheritance, Fusion, National unique, Characteristics of the times
PDF Full Text Request
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