The Starting Point Of Modern Chinese Fiction

Based on modern linguistics, modern languages philosophy, as well as language and culture study , in accordance with the principles of Embryology, taking the synchronic and diachronic research dimension, this paper takes the language and style of new fictions of late Qing Dynasty as study object, discovers the internal connection between the language and stylistic evolution of the fictions,and reveals the modern factors'impact on the successful transformation of the WuSi modern Chinese Fictions .The body of this paper is divided into three chapters.The first chapter concludes the language preparation of the new fictions with the analysis of the vernacular literature movement in the late Qing dynasty.It involves the theory advocacy,effectiveness,significance and limitations of the movement,sets out the intrinsic relations between the movements and the literature,which has been neglected and misused in academic circle.The second chapter summerizes the theory advocate on the new fictions creation."The fictions revolution"promoted by Liang Qichao caused the fictions which had been in the lowest status leap to become"the best literature".Although this was a result caused by the academic circle spoiled things by excessive enthusiasm due to the social merit thoughts of gains,but it couldn't be denied that the traditional Chinese fictions just took the advantage of this chance to obtain the independent moral character as one of literary styles,which had the milestone significance in the fictions modernization process.The theory advocate also included the fictions language request. The vernacular obtained approves and was expected to have esthetic request day by day.The third chapter discusses the intrinsic connection about the transformation of the fictions language and style.It discovers the relations between the narrate together with desciption language transformation and the style in the traditional Chinesd fictions with chapter form.It induces the both of the two gained new characters by deviating"the sound center".It analyzes the internal relations of the language and the style about the lengthy fictions written by classical Chinese language,and it summarizes the subjective poem characters resulted by classical Chinese language reform and the"inside"writing tendency of the fictions.It disserts the modernization experiments on the short novels language and style.It reveals the promotion relations between Chinese Europeanization and the translated edition fictions development,and expounds that the two are the direct origin of the modernization on the fictions language and style.The research significance of this article lies that it returns the literature itself , takes the language and style of new fictions of late Qing Dynasty as study specimen, discovers the internal connection between the language and stylistic evolution of the fictions.This is an attempt and the innovation of the style evolution research with the linguistics vision.