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Adhere To And Develop

Posted on:2010-04-06Degree:MasterType:Thesis
Country:ChinaCandidate:X H LiFull Text:PDF
GTID:2155360275980971Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
End of the nineteenth century, beginning of the twentieth century in order to ink as the mainstay of traditional Chinese painting the plight of deep innovation, With more and more skilled with pen and ink methods are creative and innovative style of the decline, while the form of language has not yet come to open up new. To Lin fengmian, Wu Guanzhong, represented by Chinese artist, there is a profound traditional painting of the inside information, but also abroad in Europe, in-depth study of Western painting at the performance of the novel form of uniqueness. And creativity of Western modernist painting performance of language and the spirit of traditional Chinese painting combine to form a highly personal character and the spirit of the times of the painting style, Lin will expressionism and other modern schools of painting a strong contrast, the expression of great tension with the Chinese literati painting tradition Pursue straightforward, a combination of natural style to lyrical commander screen, plenty of emphasis, full of emotional expression, his works, both the form of European painting coat, another realm of Chinese painting style. Wu Guanzhong oriented extracted from the true image of the form of spots and lines to cover the aesthetic element to the abstract nature of the moving image with the artist's own feelings combined in one mind, on the screen to create a non-material ones, and were with me at realm, and its essence is still the spirit of traditional freehand painting. in their works, the ancient tradition of painting and artistic spirit has been enriched and again . Painting their path can be summed up as Western modernism painting materials, techniques and forms of re-performance of the spirit of Chinese painting, that is, "Chinese learning for the body, Western learning for use" of artistic structure. This makes the exploration of Chinese painting from the late Qing and early Republican identical rigid, uniform appearance, an unprecedented display of fresh style. The content of this article is to analyze Lin fengmian ,Wu Guanzhong painting style of the form of process, to explore in the new transmission time and insist the importance of the spirit of Chinese painting, pioneering spirit and rich tradition of painting the right way, as well as painting our current guidance.
Keywords/Search Tags:Chinese traditional painting, artistic spirit, form, language, techniques, Western painting, expressionism, modernism, Fusion
PDF Full Text Request
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