The Aesthetic Sense And Attraction Of Lines In European Traditional Painting

The line is one of drawing fundamental mode elements, in the traditional painting in the period from Europe Renaissance to the impressionism, the line has the noticeable function and the significance.Starting merely from the form angle, taking the universal form principle as well as the research results of vision and consciousness to the psychology, the article analysis the most representative schools and works. In the European traditional painting, serving the practical modeling, the line relates closely with light and shade, color etc. in the process of painting, existing by suiting the physical image and half concealment; Some kinds of line molds the physique, and also demonstrates respective aesthetic sense characteristic, such as the wavy line, serpentines linear, the bow line, the straight line and so on. The material technique procedure has decided the line demonstrating result; The line combination presents the tendentious tensity, because of the sensation ability of vision and consciousness, facilitating the line movement, the contrast of the style of line has followed the diverse unification form principle, manifesting the certain aesthetic sense and the expressive force, and strengthening the work subject expression. The contrast analysis between the western-style painting line and the traditional Chinese painting line, summarized characteristics of the western-style painting line. The overall analysis to kinds of characteristic of line from various times and various schools work and the constitution effect of the dynamic line and picture, intends to combs and summarizes rules of the inheritance and the development of the European traditional painting. Renaissance and the painting . after that, combined and constructed by line element, the picture presents two kind of development tendencies, that is static and dynamic, taking the Italy Renaissance prime season painters and the French neoclassic painters as representative the static tendency, and by Venice painting school, Rubens and the French romanticism painters moves for representative the dynamic tendency.