Cultural Revolution, The Mainstream Discourse Of The Novel Form And Its Extension

The mainstream novel in the Cultural Revolution is an important part of the mainstream literature in the Cultural Revolution . The past studies on the mainstream literature in the Cultural Revolution paid more attention to underground poetry and the literature tread of the mainstream literature in the Cultural Revolution, and stressed in the macro are instead of the micro are . This thesis emphasizes on carding discourse form of the mainstream novel in the Cultural Revolution and discuss the conversion of the mainstream novel in the Cultural Revolution . And I hope that my thesis could promote research on the origin of the Literature in the New Era .In Introduction, origin , form and extension of the mainstream novel in the Cultural Revolution are briefly discussed . And research status and innovation of my thesis are explained.In Chapter One, the operation mechanism of the mainstream novel in the Cultural Revolution is described : First , the thesis discourse characteristics of the early mainstream literature in the Cultural Revolution . Second, the thesis discourse the real context and publication and distribution of the mainstream novel in the Cultural Revolution . Last , the thesis discourse mental posture and realistic choice . In Chapter Two, discourse function and discourse form of the mainstream novel in the Cultural Revolution are discoursed .In view of the divine political environment of the Cultural Revolution, the theses will use"oracle"to summarize the discourse function of the mainstream novel in the Cultural Revolution .Zhaoxia is the most influential publication in the Cultural Revolution ,so the thesis will take it as the example to discuss the discourse form of the mainstream novel in the Cultural Revolution .And by Zhaoxia, the thesis will open to the general characteristics of conspiracy literature and its link with the mainstream literature in the Cultural Revolution.In Chapter Three, the mainstream novel in the Cultural Revolution in the border of discourse statute are discussed. First , the thesis discuss that there's possibility of biased factors in the mainstream novel in the Cultural Revolution .The thesis points out that the heterogeneous factors are not confrontational factors. And the thesis focuses on the revolutionary struggle novels and children novels , to discuss the heterogeneous factors objectively that exist in mainstream novel in the Cultural Revolution .In Chapter Four, the origin of some writers in the New Era is discoursed . First , the thesis take the creative conversion of some force writers as an example, to discuss the conversion of military literature and revolution narrative. And the thesis take Li zicheng for an key example to discuss the conversion of historical novels from the Cultural Revolution to the New Era . Last , the thesis discuss the conversion of rural and folk's narrative .In Chapter Five, the extension of discourse of the mainstream novel in the Cultural Revolution .First , the thesis discourse the link of literature in the Cultural Revolution and literature in the New Era by binary discourse and passion narrative . Second , the thesis discuss discourse extension of the mainstream novel in the Cultural Revolution . Last ,the thesis card reforming literature and Jiang Zilong's limitation and discuss reaction of discourse of the mainstream novel in the Cultural Revolution .