Contemporary Ballet History Of The Development Outline

"The Compendium of History of Chinese Modern and Contemporary Dance Drama" is a compendious research on the development of Chinese modern and contemporary dance drama. Facing the course of the initiation, development and upgrowth of Chinese modem and contemporary dance drama since the "May 4th" new cultural campaign, our researching thoughtway is to find the historical focus, to look through the history and to discover the inside information of history. As to the researching method, we emphasize the combination of image and literal materials, the combination of individual affections and common rules and the combination of text description and noumenon analysis. The essay consists of the exordium, epilogue and principal part of 12 chapters. The exordium basically explains the researching object, thoughtway and method of Chinese modern and contemporary dance drama history. The principal part of 12 chapters can be divided into three sections: the 1st chapter to the 4th chapter covers the time from the "may 4 " new cultural campaign to the beginning of the 1960s, mainly talking about the dance dramas before the 15th anniversary of the establishment of "new China"; the 5th chapter to the 8th chapter covers the first decade of the "new era" after the "campaign of open-thinking", namely talking about the dance dramas from the 1970s to 1980s; the 9th chapter to the 12th chapter is mainly talking about the dance dramas since the 1990s, including the dance dramas from the "post new era" (1992) to the "new century". As a part of prospect of Chinese modem and contemporary dance drama, the epilogue is mainly talking about dealing well with four relationships: the first is the relationship between the administrative direction of government and the value direction of market; the second is the relationship between investors and artists of the creative works; the third is the relationship between the noumenal means of dance and assistant stage effects in dance dramas; the fourth is the relationship between dance choreography skills and the structure of the drama. During the writing of this essay, nearly 200 books or articles were involved as reference, as well as almost 140 dance dramas.